Philippines Contemporary Artists

ANDRES BARRIOQUINTO. Born in the Philippines, Andres Barrioquinto is a contemporary artist known for his surrealistic portraits layered with Japanese art style and patterns. He is considered a rising star of the contemporary Southeast Asian art scene.  
One of his most notable paintings, Procession (oil on canvas), holds the highest auction sale price for the artist at $359,777 in 2019.
https://www.instagram.com/andresbarrioquinto/?locale=fr_CA
PROFILE OF THE ARTIST
Andres Barrioquinto is born in the Philippines in 1975.He spent his teenage years in Hong Kong. Then he went back to Manila to get his college education. He pursued formal art education at the University of the Philippines and studied Fine Arts major in painting at the University of Santo Tomaslin (2000). In 2003, he was selected as one of the 13 Artists Awardees by the Cultural Center of the Philippines.  
With fine strokes in acrylic and oil, the artist renders recognizable faces in subdued tones. In his paintings, men, women, and anthropomorphic animals are shown in forests plentiful with butterflies and birds.
The darkness in his old style still creeps into his newer works, though masked by the calmness of flowers, birds, butterflies, and traditional patterns belonging to Japanese culture – specifically ukiyo-e, Japanese woodblock prints from the Edo period. 
In 2018, he mounted an exhibition at the National Museum, making him one of the few living artists to do so.  Called “Portraits,” the show featured industry leaders, influential patrons, and A-list connoisseurs immortalized in Barrioquinto’s hyperrealist portraiture. 
A collection of 14 of surreal and hyperrealistic paintings by Andres Barrioquinto were showcased in « Realistic Abstraction » at Tang Contemporary Art in Bangkok in 2022.
In 2022, a monograph comprehensive monograph on the life and career of Andres Barrioquinto was published.
EXHIBITIONS
Andres Barrioquinto has had several solo exhibitions across Asia and Europe. He also holds the honor of being the first Filipino to win in the Taiwan Biennial, the Asian country’s premier fine art platform and festival.  
One of his most notable paintings, Procession (oil on canvas), holds the highest auction sale price for the artist at $359,777 in 2019.
Latest exhibitions: 2022 "Realistic abstraction: Andres Barrioquinto solo exhibition, Tang Contemporary Art, Bangkok
Inn 2021, Andres Barrioquinto participated ina group exhibition "Falling" at Tang Contemporary Art in Beijing.
→ EXHIBITIONS

ELMER MISA BORLONGAN is a contemporary Filipino artist, known for his figurative expressionism. He has received multiple awards including the Cultural Center of the Philippines (CCP) 13 Artist Award in 1994 and the 2004 Award for Continuing Excellence and Service, Metrobank Foundation. 
With cumulative sales of $605,244 (24 lots), Elmer Misa Borlongan ranked 326th in the Artprice 2020/2021 Top 500 Contemporary Artists in the World.
Many of the artist's works have been sold at auction such as 'Quiapo' sold for $209,385, his record, by Leon Gallery, Makati, at 'The Magnificent September Auction 2016'.  
PROFILE OF THE ARTIST
Elmer Borlongan was born in 1967 in Manila. He trained in painting under Fernando Sena from the age of 11. He graduated from the University of the Philippines' College of Fine Arts (Major in Painting) in 1987. Elmer Borlongan and his wife, artist Plet C. Bolipata, live in San Antonio, Zambales.
Elmer Borlongan paints stories of everyday life, survival and endurance amidst poverty and despair. His work is characterized by stylized figuration, bald heads, large eyes and elongated limbs. Elmer Borlongan spent his childhood in the urban centers of Manila. Indeed, his sensibilities, his choice of subjects and themes, were from the beginning in tune with the daily struggles of the Filipino working class. It was especially his depiction of the homeless and street children that brought the young artist to the attention of the Philippine art world in the early 1990s. His paintings evoked empathy, but the artist also wanted to show the humor implicit in the simple lives of the people. 
In the late 90s, Elmer Borlongan moved to San Antonio, Zambales, a rural province northwest of Manila. Between the works of Elmer Borlongan before and after 2002, we can see differences. When he was based in Manila, his paintings depicted urban degradation. His paintings were populated by emaciated beggars trying to make a living in the streets of the city, and his colors were darker. After moving to San Antonio, he began drawing more rural scenes: vendors carrying a pool of freshly caught fish, a family sitting in what looks like a cloth boat. His colors are also brighter. Elmer Borlongan continues to depict the lives of Filipinos, from provincial fishermen to beggars on city streets, to jeepney drivers.
EXHIBITIONS
Elmer Borlongan has had numerous exhibitions in the Philippines and abroad. The Metropolitan Museum of Manila dedicated a retrospective exhibition "An Extraordinary Eye for the Ordinary", from January to March 2018. In February 2017, the Ayala Museum in Manila organized a retrospective exhibition of the artist, entitled "In City and Country" which traced his career from 1992 to 2012. 
Latest exhibition: 2022 When Time Stood Still" , galerie Géraldine Barnier, Paris
PAST EXHIBITIONS

LESLIE DE CHAVEZ is a contemporary Filipino artist known for her deep concerns and incisive commentaries on major social issues through expressive paintings and installations.
The artist has been represented exclusively by Arario Gallery (Seoul) (Shanghai) since 2006.
https://www.lesliedechavez.com/
https://www.instagram.com/lesdechavez/?hl=fr
PROFILE OF THE ARTIST
Leslie de Chavez was born in Manila, Philippines, in 1978. He graduated from the University of the Philippines. He obtained his BFA in painting in 1999. He lives and works in Tayabas / Lucban, Quezon. 
Leslie de Chavez is a crucial artistic activist for the Philippines. The artist explains: “My practice has involved the creation of diverse art forms that scrutinize various issues in Philippine society such as history, colonialism, religion, imperialism, miseducation, power struggle, contemporary culture, politics and social values. My process entails the resurfacing of historical templates, re-examining contemporary social discourse and rediscovering introspection as methods to pin down the truth about the many realities we Filipinos experience. As an artist, I believe that responding through art to our continuous victimization from the chronic conditions of our society can be truly liberating.”
In addition to his artistic practice, Leslie de Chavez is also the founder of Project Space Pilipinas (PSP), which opened in 2007 in Mandaluyong, Metro Manila. PSP is a platform for creative interaction, where the artist seeks to have a meaningful presence and engagement with his or her local community. Leslie de Chavez's dual approach considers both the realm of representation in art and the forms of direct action through which culture can bring about change.
Leslie de Chavez considers that there have been two major turning points in his career as an artist. The first was in 2001, when he left his job as a graphic designer in a museum to concentrate solely on his artistic practice. Another turning point was his residency in Seoul from 2005 to 2006, which he describes as "a fruitful opportunity that completely changed the course of his career". At the time, artistic activities in the Philippines were limited and few galleries and collectors were interested in emerging artists. The residency in Seoul therefore opened up exhibition opportunities for him and broadened his network of contacts with a view to future partnerships. One of the most important relationships was with the Arario gallery, which now runs spaces in Seoul, Cheonan and Shanghai, and has represented the artist exclusively since 2006. 
Leslie De Chavez's latest work, 'The Golden Slumbers (A Gasping Lullaby to the 3D Sisters of the Sun & Sea)' (2024), depicts a pair of binoculars, which Leslie De Chavez identifies as the '3D sisters' of artist collective Lithunian, which were presented in a performance at the Lithunian Pavilion during the 2019 Venice Biennale. He pays homage to the urgent issue of climate change.
Leslie de Chavez has had several solo exhibitions in the Philippines, China, Korea, Singapore, the United Kingdom and Switzerland. He has also participated in several important exhibitions and art festivals.  
Latest solo exhibition:  2021 "A Lonely Picket in the Balcony", Silverlens, Manila.
He was presented at Art Singapore 2024 and S.E.A. Focus by Gajah Gallery.

LOUIE CORDERO  is a contemporary Filipino painter and sculptor.  
Louie Cordero's sells many works at auction such as 'The Lead Brothers' which sold at Christie's Hong Kong 'Asia Contemporary Art Day Sale' in 2013 for $38,642 or 'Tsunami's Gift (Sweet Surrender) (2013) which sold for $10,940 in an Asian contemporary art sale at Christies HK on May 29, 2016.
Contact :  https://www.facebook.com/LouieCorderArtist/about/
PROFILE OF THE ARTIST
Louie Cordero was born in Manila in 1978 where he currently lives. He graduated from the College of Fine Arts of the University of the Philippines (2001). He has already received several awards such as the Ateneo Art Award in 2004 and the Thirteen Artists Award from the Cultural Center of the Philippines in 2006. He was artist-in-residence at the Big Sky Mind Foundation in the Philippines from 2002 to 2004 and also at the Vermont Studio Center in the United States in 2003.
Louie Cordero draws his inspiration from the complex political history of the Philippines. He paints monsters and zombies from Philippine mythology, punctuated with blood, gore, and military imagery to reflect the eclectic and often violent mix of local culture and American, Spanish, and Asian heritage. In his aesthetic, he draws on a variety of sources such as kitsch, Indian advertising, American B-movies, and "pulp fiction." He created and illustrated himself a series of underground comics "Nardong Tae" which has a cult following in the Philippines and Japan.
Most recently in 2017 he showed in his exhibition 'Under Heavy Manners' at the Jonathan Levine Projects in the US, paintings that depicted the vulnerable situation of his country the Philippines.
EXHIBITIONS
Since 2001, Louie Cordero has been regularly exhibited in the Philippines, Singapore, and Japan; he has had several solo exhibitions in Asia.
Among his latest exhibitions are:  2020 "Bogus Heritage Louie Cordero", Blanc Gallery, Quezon city
The artist participated in numerous group exhibitions:: 2023 "In Excess: An Exuberance of Philippine Art", Gajah Gallery, Singapore, ; 2022 "Tutti Frutti", Tang Contemporary Art, Bangkok ; 2020 Collectors Plus, Silverlens, Manilla ; 2019 Inoperative Halo, galerie Poulsen, Copenhaguen, Denmark
PAST EXHIBITIONS

MARTIN HONASAN is one of the most promising contemporary Filipino artists in his country. In 2017 he sold a work entitled Monologue (Diptych) (2014) at León Gallery, Makati for $18,348
https://www.instagram.com/martinhonasan/?hl=en
PROFILE OF THE ARTIST
Martin Honasan was born in 1976 in Quezon city. He received his Bachelor of Arts degree in Interdisciplinary Studies (Psychology and Communication Arts clusters) from Ateneo de Manila University. He then worked as a marketing manager in advertising (1999-2001) and then created his own graphic design company (2001-2004) to finally return to his first love: painting. He lives and works in Marikina, Metro Manila.
Martin Honasan appeared on the Philippine art scene in 2002. He first made interpretations of street scenes based on photographs, colored with watercolors. He then focused exclusively, almost obsessively, on faces. "I feel that I don't need a bust or too many ancillary things to express what I want to say in my paintings," he said. Martin Honasan attributes the evolution in his creative process to his partner Barbie Almalbis, a singer and actress. He combines portraiture with elements of nature (water, earth, air and fire) as materials for his paintings. He uses these environmental factors that influence the psychological and emotional aspects of morality, existence and spirituality.
Martin Honasan first scans the textures, cuts the canvases, creating folds and wrinkles, before using brush and paint to make faces presented in a chaotic universe. He lets his mind go on a journey of discovery of facial features, from random patterns of a psychological phenomenon called pareidolia. He draws inspiration from the faces of those closest to him and creates portraits using pre-created textures and patterns. "I gave so much meaning to the smallest details of their expressions, to highlight the subtleties of their faces," says Martin Honasan. The artist adds that he has also slowly grown accustomed to incorporating recognizable parts of his own face into his work. 
Martin Honasan created his Series Bautismo (2019) during a tropical hurricane that swept through his hometown in 2018. "Bautismo continues my current practice of exploring damage-based modes of production, creating altered, struck, distorted works and using the physical language of paint (brushstrokes, manipulated surfaces, selected hues) to achieve a portrait," the artist recalled.
In his latest exhibition "Closing the Gap" art Art Cube Gallery, in 2022, the artist presented a series of portraits exploring the mysteries and wonders of life. 
EXHIBITIONS
Martin Honasan has had several solo exhibitions since 2011.
Latest exhibitions: 2022 "Closing the Gap", Art Cube, Gallery ; 2019 "Bautismo", Art Cube Gallery, Makati, Philippines.
Past exhibitions: 2018 "River", Volta, New York; 2017 "Speaking in Tongues", Blanc Gallery, Quezon City, "Pulô", Ayala Museum, Manila; 2016 "Martin Honasan: Even These Stones Will Cry Out", YOD Gallery, Osaka, "Shadows of Things to Come" Boston Gallery, Vinyl on Vinyl, Manila ; 2015 "Everything is Created Twice", Cultural Center of the Philippines ; 2014 "Soil", Boston Gallery, Cubao, Quezon City, "Singularity", Art Galileia, Fort Pointe Building, BGC, Taguig, Philippines ;
Martin Honasan has also participated in various group and solo exhibitions since 2005 in Hong Kong, Indonesia and Japan, as well as local and international art conventions such as Art Fair Philippines and Asia Now Paris 2019.
At the end of 2020, he collaborated on the Collab project with Dexter Sy "neither death nor life".

LAO LIAN BEN is a contemporary Filipino artist who creates multidimensional abstract paintings. He is touted as one of the pioneers in assemblage art in the Philippines.
With cumulative sales of $318,964, Lao Lian Ben ranked 483rd in Artprice's (Proceeds of Sales) ranking of the art market worldwide in 2015. Many of the artist's works have been sold at auction including 'Wood Void' (1985), at Leon Gallery, Makati, in 2015 for $109,159 and 'Under the Influence of Moonlight' (1979) sold at Leon Gallery, Makati ('The Asian Cultural Council Philippines Art Auction 2017) for $111,877 and 'Untitled' (1980), sold for HK$88,125 (€10,138) at Bonhams, Hong Kong in March 2019.   
PROFILE OF THE ARTIST
Lao Lian Ben was born in 1948 in the Philippines. He graduated from the University of the East, School of Fine Arts, Major in Painting, Manila
Lao Lian Ben is a painter of abstraction. He mainly paints wall sculptures. He creates movement through large layers of paint, layering objects and materials. There is a set of contrasts in his works between free organic forms and geometric order. The artist masterfully masters blacks, whites and grays. Like the vision of a man on a spiritual quest, Lao Lian Ben's paintings radiate light. Lao Lian Ben explains that his art is about silence. His abstract ink works are based on Sumi-e painting, a Japanese philosophy of painting with ink and brush. His mostly monochromatic works emanate a great serenity. They lead to a deep contemplation in the sense of the Zen tradition. "Like the empty bowl of a Buddhist monk, Lao Lian Ben's paintings, in their naked simplicity, are an endless feast for the mind" (Leovino Ma. Garcia).
Lao Lian Ben paints very large paintings, three of his latest paintings "Into Light," "Water" and "Monk's Table" shown in the exhibition 'Lao Lianben, Black Water: A Monk's Dream" in 2015, measure 10 feet by 8 feet for example, "Soot" and "Monk's Table" measure 10 feet by 7 feet.
EXHIBITIONS
Lao Lian Ben's solo exhibitions include the most recent: in 2016/2017 "Sense of Light" Lao Lianben Solo Exhibition, Taipei, Michael Ku Gallery; in 2015 'Lao Lianben, Black Water: A Monk's Dream', Blanc Art Space, Quezon city; in 2012, 'Soot', Blanc Penisula, Manila, 'Remnant by Lao Lian Ben', Capitana Gallery, Talisay City; in 2009 'Lao Lian Ben' White Compound in Mandaluyong city.
Lao Lian Ben has also participated in numerous group exhibitions including: in 2019 Cao and Lianben, Calle Wright, Manila; in 2016, Philippines Art Fair 2016, represented by Galerie Blanc; in 2015 "Southeast Asian Abstraction: A New Dialogue", Sotheby's Hong Kong, Philippines, Manila; in 2014 "Framed Abstraction", CCP- Cultural Center of the Philippines, Manila; in 2013 "Black And White Exhibit", Galleria Duemila, Pasay City; in 2011 "Munnyfestation", White, Quezon City.
The artist has also received several awards and distinctions: in 1995, Alumni Award, University of the East, in 1982 Mobil Art Award, in 1979 Critic's Choice, Ma-Yi Associates, in 1977 Second Prize Painting, Art Association of the Philippines, in 1975 Outstanding Achievement in Painting, University of the East, in 1968 First Prize, Graphic Art, Shell Art Competition.

PATRICIA PEREZ EUSTAQUIO, is a Filipino artist, internationally recognized and considered one of the leading artists of her generation in the Philippines.
Contact : https://patriciaeustaquio.com/
https://www.instagram.com/explore/tags/patriciaperezeustaquio/?hl=fr
PROFILE OF THE ARTIST
Patricia Perez Eustaquio was born in 1977 in Manila. She received her BFA (Painting), Magna Cum Laude, from the University of the Philippines, Diliman (2001). She currently lives and works in Manila.
Patricia Perez Eustaquio works in a variety of media: she explores different materials, such as painting, drawing, installations, sculpture and even weaving, lace, felt and cardboard. Images of detritus, carcasses and decay are integrated into her design and fashion work. The artist is in fact also a clothing designer. She speaks in her canvases of various forms or in her fabric sculptures of the "desire to be desired". Likewise her shaped objects - ranging from furniture, textiles, copper and glassware - ask questions about the mutability of our perception as well as about the concepts of 'desirability' and how it influences life and culture in general.
With hyper-realistic precision, Patricia Perez Eustaquio's paintings are a reflection on the world (both man-made and natural) through the metaphor of the Orchid, asking what drives our search for the unique, as we seek to replicate the object of our desire. So while orchids were rare specimens, becoming an obsession for orchid hunters, they are now the object of a 'big business' in the horticultural industry and the attraction of botanical gardens. The artist's recurring motifs are the wilted flowers that she uses in her main works, focusing on their textures and tortured forms.
The artist also creates digital tapestries, such as those presented in her exhibition "Everywhere West, Everything East". For this exhibition at the Ames Yavuz Gallery in 2019, his tapestries were reworked from the painting of the twentieth-century Filipino artist Fernando Amorsolo depicting the death of the Portuguese navigator Ferdinand Magellan by the forces of Lapu-Lapu, the ruler of the island of Mactan in the Philippines.
Fabric has recently become a key part of Patricia Perez Eustaquio's work, creating sculptures by wrapping objects in silk or crochet, then removing the object to make what she calls a "ghost," a very small object or empty carcasses that evoke questions surrounding memory and perception.
'Emporium', at the Silverlens Gallery in New York, in October 2024 marked the very first performance of the artist's series of large-format braided rope sculptures. This body of work embodied Patricia Perez Eustaquio's exploration of the "marginalized materials" of the fields of craft and design – textiles, fibers, ceramics, glass. In addition, it featured monumental tapestries based on historical photographs.
At an Art Fair Philippines 2025 Patricia Perez Eustaquio presented several new works, including After, After I, After, After II, Fountain 008 and Vertigo VII and Vertigo VIII. These pieces incorporate materials such as abacá (Manila hemp), silk, wool and cotton fibers on hand-woven cotton (Inabel) the artist indeed explores textile and fiber as supports for storytelling and cultural expression
EXHIBITIONS
Patricia Perez Eustaquio's most recent solo exhibitions include: 2025 "Everywhere West, Everything East," Silverlens New York; 2024 "Emporium", Silverlens NY, White Lies, Encounters, Art Basel, Hong Kong; 2022, Silverlens Galleries, Manila; 2020, Silverlens Galleries, Manila.
Patricia Perez Eustaquio was presented at Art Basel Hong Kong 2024 by Silverlens Gallery.
EXHIBITIONS
Patricia Perez Eustaquio's recent solo exhibitions include: 2024 ‘Emporium,’ Silverlens gallery NY; 2022, Silverlens Galleries, Manila ; 2020, Silverlens Galleries, Manila ;  2019 "Everywhere West, Everything East", Yavuz Gallery, Sydney, Australia
Patricia Perez Eustaquio also participated in numerous group exhibitions since 2002: 2024 Art Fair Philippines, Art Basel HK ; 2023 Art Fair Philippines, SEA Focus ; 2020 "Searching Sanctuary", galerie Silverlens, Manila, (Art Fair Philippines) ; 2019 et 2018 Art Basel Hong Kong ; 2017, 'Shared Coordinates: Edouard Malingue Gallery x Silverlens', Silverlens, Manila, "Translación", Silverlens, Manila, Art Fair Philippines 2017
PAST EXHIBITIONS
⇒  VIDEO

JILL PAZ is a Filipino-Canadian artist who uses in her work a very special technique of laser cutting and digital images.
Contact : https://jillpaz.com/
PROFILE OF THE ARTIST
Jill Paz was born in 1982 in Manila, Philippines. She emigrated to the United States in 1983 with her family. She studied painting at Columbus College of Art and Design where she received her BFA (2004) and at Parsons School of Design in New York City, followed by Art History at UBC (2015). She received her MFA in Visual Arts from Columbus College of Art and Design (2015). Upon graduation, she returned to the Philippines, she currently lives in Quezon City.
With her work, Jill Paz is making a return to her roots. In her exhibition 'Homage' in 2017, she revisited the body of work of Filipino painter Felix Resurrección Hidalgo (1855-1913), an enigmatic figure in Philippine art history and also her great-great uncle.
Jill Paz makes a particularly original work, made from photographs and paintings, and with the help of computer programs and laser cutting. She has programmed a machine to engrave a digital image on cardboard. The rendering of her work must be looked at closely to see the editing. Jill Paz shows the transient and vulnerable nature of painting as objects, while offering the possibility that the past and these objects can change, disperse or fall apart completely. The time may be right then to create art infused with life and stories of the present.
In her work in 2018, 'The Grove of Trees', shown at Art Basel HK in 2019, she explored the necessity and limitations in repair and renovation. Jill Paz refers a lot to her experience as an immigrant. She states, "My recent body of work explores a renewal of my understanding of what "home" means, which is itself a paradoxical relationship in that it represents both estrangement and engagement. My study of East and West, past and present, is embodied in my own experience of cultural loss. It is this personal close-up plane of my life that I bring to my work that leads me to integrate a broader view of history and the world."
Jill Paz's new paintings at Silverlens Galleries in September 2021 depicted small, damaged and repaired objects: an archaeology of everyday life. Each painting features a finely detailed surface, created by the digital tool of a laser machine, then layered with acrylic washes on a gesso ground.
EXHIBITIONS
Jill Paz has had several solo exhibitions since 2005 including:  2023 "Echo of a Site", MO_Space, Manila ; 2021 Domestic abstractions, Silverlens Galleries ; 2020 "The view of two horizons", Alliance Française de Manila
Biographie & expositions
"Domestic Abstractions" Exhibition Silverlens Galleries, 2021, video

MARIA TANIGUCHI is a contemporary Filipino artist. She creates large brick paintings in which she explores the possibilities of forms. She uses techniques of transformation, series and repetition of images. She also does sculpture, video and photo work. The artist's paintings from a 2008 series (Untitled) shown at Art Basel Hong Kong in 2015 were all purchased by institutions in Hong Kong and Brisbane. On November 26, 2015, she received the Hugo Boss Asia Art 2015 award at the Rockbund Art Museum in Shanghai. Last sale of the artist at Phillips Auction in Hong Kong on December 3, 2020: HK$302,400 for a work dated 2014 (Untitled).
NEWS
Maria Taniguchi is participating in the group exhibition “Everyday practices” at the Singapore Art Museum, from August 30, 2024 to July 20, 2025.
PROFILE OF THE ARTIST
Maria Taniguchi was born in 1981 in Dumagete, Philippines.  She studied sculpture at the University of the Philippines and obtained her BFA (2006) and then at Goldsmiths in London where she obtained an MAF in Art practice (2009). She then continued with a post academic program for artists working with images, the LuX associate artists Program, in London. She lives and works in Manila.
Bulky bricks, which can be up to 5 meters high, an ultra simplistic representation, a density of matter, is in some ways the artist's signature. Over the past five years, she has produced a series of large canvases in which she has explored the possibilities within a neutral composition, with different surface configurations. Since she began making her first brick wall in 2008, she has created many, many more, all titled 'Untitled. "People look at this work and see abstract images, but in reality they have a purpose," explains Maria Taniguchi. "These paintings take time and help me regulate my own production, my thoughts.
From May 4 to 17 June 2023, Maria Taniguchi presented a solo exibition "Figure Study" at Silverlens gallery New York. 
Maria Taniguchi exhibited three paintings at the Venice Biennale 2024.
EXHIBITIONS
Maria Taniguchi has had numerous solo exhibitions since 2003. Among the most recent are:  2023 "Figure Study" , Silverlens gallery New York ; 2021, room of phases, Silverlens, Manilla ; 2020 OUTBOUND, site-specific project commissioned by National Gallery Singapore ; 2019 Maria Taniguchi, Carlier I Gebauer, Berlin, Germany; 2017 'Maria Taniguchi', Silverlens gallery, Manila, 'Maria Taniguchi', Taka Ishii Gallery, Tokyo.
Maria Taniguchi also particIpates in group exhibitions: 2024 "Rituals of the Everyday" at Collegium in Arévalo, Spain ; 2023 de montañas submarinas el fuego hace islas, Curated by Yina Jiménez Suriel, KADIST, San Francisco
PAST EXHIBITIONS
Maria Taniguchi received the Ateneo Art Award in 2011 and 2012.
Maria Taniguchi is represented by Silverlens Gallery in Manila.

RODEL TAPAYA-GARCIA is a renowned contemporary Filipino artist and one of the most active in Southeast Asia.
With cumulative sales of € 435 K, he ranked 1652th/5000 in Artprice ranking (sales revenues) of the art market worldwide in 2024. 
https://www.rodeltapayaart.com/
https://www.facebook.com/Rodel-Tapaya-Official-466399093459356/
https://www.instagram.com/rodeltapaya/?hl=fr
NEWS
Rodel Tapaya participates in the group exhibition “Ritual, Trauma, and Allegory”, at Tang Contemporary Art Hong Kong, from 25 March to 10 May 2025
PROFILE OF THE ARTIST
Rodel Tapaya was born in 1980 in Montalban, near Manila, Philippines. After winning an international painting competition, he went on to receive the prestigious Top Prize at the Nokia Art Awards, which allowed him to study drawing and painting at Parsons School of Design in New York and the University of Helsinki in Finland. He completed his studies at the College of Fine Art at the University of the Philippines from which he graduated. In 2011, he won the Signature Art Prize awarded by the Asia-Pacific Breweries Foundation and the Singapore Art Museum, an achievement for a Filipino artist. He lives and works in Bulacan, Philippines.
Rodel Tapaya blends folk tales with contemporary reality. He studies the world through the prism of folk tales, legends, Philippine mythologies and pre-colonial research. He creates whimsical montages of his characters, mainly gods and fairies, whom he transforms into ghosts haunting a civilization where they dominate but to which they do not fully belong. He mixes modern and traditional forms of painting, and his works are always highly colorful. The artist uses media such as acrylic on canvas, coasters, dioramas and drawings. 
Rodel Tapaya's paintings often evoke those of Hieronymus Bosch and other narrative painters. But Tapaya's style is unique, mainly because of the particularity of Philippine popular literature. In an interview with the Philippine Daily Inquirer after winning the Signature Art Prize in 2011, Rodel Tapaya explained that he had always considered “narrative painting” to be his forte, and that he had always sought to tell moral stories in his paintings.
In one of his large acrylic-on-canvas paintings (2013) entitled, “Like a bird that leaves its nest is a man who leaves his home”, Rodel Tapaya questions the theme of flight and links it to ideas of self-assertion. He talks about moving away from zones of comfort towards zones of courage in order to achieve certain goals in life.
The title of his exhibition “Animals Moved by Music” at Bangkok's Yavuz gallery in 2022, was inspired by Franz Kakfa's novel Metamorphosis. In this exhibition, Rodel Tapaya probed the fault lines through which the terrain of everyday life slips, shifts and reconfigures itself. 
https://yavuzgallery.com/exhibitions/animals-moved-by-music/.
In his latest series of portraits filled with lush flora and fauna, exhibited at the Jack Bell gallery in London in 2023, Rodel Tapaya showed an intellectual turn towards the ecocentric, highlighting nature as the main player in the folklore that feeds his artistic imagination.
EXHIBITIONS
Rodel Pataya's latest solo exhibitions: 2023 Rodel Tapaya: Can't see the Forest for the Trees, Jack Bell gallery, London; 2022 "Animals Moved by Music", Yavuz Gallery, Bangkok ; 2019 "On the Benefits of a Crowded Space", A3 Arndt Art Agency, Manila; 2018 "Myths and Truths", Tang Contemporary Art, Beijing 
PAST EXHIBITIONS

RONALD VENTURA  is one of the most fashionable contemporary artists in Southeast Asia, leader of the younger generation of Filipino artists.
With cumulative sales of € 1,7 million, he ranked 639th in the Artprice ranking (sales revenues) of the art market in the world in 2023. He ranked 87th in the Artprice 2020/2021 ranking of the top 500 contemporary artists in the world with a turnover of $ 4,360,764.
His work 'Party Animal' was sold $2,477,653.39 at Christie's HK le 24 Mai 2021.
On October 5, 2019, he sold at Sotheby's HK a painting entitled "Super than Superman" (2018), $664,652. His work "Meeting Myths" sold for $907,695 at Sotheby's Modern and Contemporary Asian Art Evening Sale on October 2, 2016. 
Auction record in Hong Kong for Ronald Ventura with "State of Bloom” (2021), sold for a record price at Christie’s Hong Kong auction in September 2024. It sold for approximately HK$36 million (USD 4.7 million), almost 20 times the expected price.
https://www.instagram.com/ronaldventurastudio/?hl=fr
https://www.facebook.com/Ronald-Ventura-1096932557019213/.
NEWS
Whitestone Gallery in Taipei, presents a solo exhibition by Filipino artist Ronald Ventura,"Pressure & Pleasure, from May 10 to June 28, 2025.
PROFILE OF THE ARTIST
Ronald Ventura was born in 1973 in Manila. He began his interest in art making at an early age, attending summer workshops during his high school years. He received his Bachelor of Fine Arts (BFA), Major in Painting, University of Santo Tomas, Manila, (1993). He now lives in Quezon city, Philippines.
Ronald Ventura creates overlays of images and styles, ranging from hyperrealism to comic books to graffiti. For him, it is a metaphor for the multi-faceted national identity of the Philippines, the result of successive Spanish, Japanese and American occupations. He practices painting, sculpture and mixed media for which he uses the same themes and aesthetics. Ronald Ventura reinvents a visual language, fusing Eastern and Western imagination, tradition and modernity, fine arts and pop culture.
In his works presented at the exhibition 'E.R.(Endless Resurrection) at Tyler Rollins Gallery in New York in September 2014, the artist also showed the horrific nature of the blood rites that continue to be practiced in some parts of the Philippines: penitents who flagellate themselves with bamboo sticks or spend hours nailed to wooden crosses.
Ronald Ventura was exhibiting for the first time in Japan, at the Ginzha New Gallery in Tokyo, in late 2018. In this exhibition, he asked the question, "Do people have lives that are more like comic books these days? Or "are comic books important in everyone's life?" or how the artist interprets existence: fast, instant and bewildering, animated. The artist purposely used pop cultural references (Naruto, Pokemon, etc).
The exhibition "Wild State of Mind" at the Tyler Rollins Fine Art, New York from October 6, 2017 to January 27, 2018, explored the intersections between reality and fiction, madness and sanity, logic and instinct, breaking down the dualities that impose a clear division between humans and wild animals.
For the eleventh edition of Art Jakarta, 2019, Ronald Ventura was bold with his design of a Bobro's World Tour Jakarta, a "man-cave" with a karaoke room. Thus, visitors entered through the mouth of a huge golden sculpture of a dog gnawing on a bone.
From August 7, 2021 to April 10, 2022, the Karuizawa New Art Museum in Nagano, Japan, presented: "An Introspective" by Ronald Ventura. This retrospective exhibition included more than a hundred works by the artist, produced over the last thirty years.
His exhibition "Pressure and Pleasure" at the Whitestone Ginza Gallery in Tokyo in early 2025 wanted to deepen the relationship between art and technology, exploring themes of mobility, identity and the human condition. It featured a wide range of artwork, art cars, and all things accessory, all showcasing the artist's ongoing dialogue between innovation and tradition.
EXHIBITIONS
Ronald Ventura had his first solo exhibition in 2000, at the Drawing Room gallery in Makati City, entitled 'All Soul Day'. In 2009, he was exhibited for the first time in the United States, at the Tyler Rollins Fine Art Gallery in New York: 'Metaphysics.
From January 30 to March 4, 2017, the MET Museum in Manila presented an exhibition by Ronald Ventura "Shadow Forest: Encounters and Explorations", consisting of various works by Ronald Ventura, from his lithographs dating from the 90s to his human-sized mechanical carousels from 2016.
Recent solo exhibitions by Ronald Ventura include: 2025 "Pressure and Pleasure", Whitestone Ginza New Gallery, Tokyo; 2024 "Grey Avenue", Whitestone Ginza Gallery, Tokyo; 2023-2024 "An Introspective", New Art Museum, Singapore; 2022 An Introspection", Karuizawa New Art Museum, Nagano, Japan; 2019-2020, Primae Noctis Art Gallery, Lugano, Italy; 2019 Primo Marella Gallery, Milan, Italy
To inaugurate the Goldenberg Art Series, Ronald Ventura presented an exclusive exhibition as part of Art Fair Philippines 2024, with a collection of 11 different works: sculptures at the entrance, paintings in the entrance hall and engravings in the greenhouse.
As part of Art Fair Philippines 2023, Ronald Ventura presented "Beast Watcher" at the Ayala Museum's OpenSpace. 'Beast Watcher' included two new sculptures by the artist and an art car that is on display outside the front and rear entrances of the Ayala Museum. The artist's Hyper Beast (Rhino) sculpture is that of a black rhinoceros with human feet and a yellow horn that is trudging towards its programmed end. A Porsche 911 Cabriolet is transformed into an art car with paintings of a horseman, juxtaposed with images of lightning bolts, of a pedestrian crossing.
PAST EXHIBITIONS
For the eleventh edition of Art Jakarta, 2019, Ronald Ventura was bold with his design of a Bobro's World Tour Jakarta, a "man-cave" with a karaoke room. Visitors entered through the mouth of a huge golden sculpture of a dog gnawing on a bone.
https://www.youtube.com/watch?v=EXbjpX-TiAM

RYAN VILLAMAEL is a young contemporary artist who works with cut paper and has made it an art form in the Philippine art scene. ENG
https://www.instagram.com/cutfelt/?hl=en
PROFILE OF THE ARTIST
Ryan Villamael was born in 1987 in Laguna, Philippines. He received his Bachelor Degree in Painting from the University of the Philippines (2009). He was also a Visual Arts major. After graduation, he worked as an assistant for Nona Garcia, Louie Cordero and Gary Ross Pastrana. In 2015, he won the Ateneo Art Awards for his work "Isles". He lives and works in Quezon city.
Ryan Villamael worked in several media before choosing paper as his medium and revealing exceptional images. "I started working with paper, not out of desire, but out of necessity," he confided. "I realized that I could say what I wanted to say and do what I wanted to do with a very simple material," he explained. Ryan Villamael, is guided by the conceptual elements of paper cutting. He constructs frieze-like shapes and patterns using negative space. He uses paper and felt.
Regarding his love for maps, the artist explains, "My father left home when I was young and growing up, looking at maps was a way for me to communicate with him, to trace the paths he might have taken, to try to see places he might live.
"Cut Felt," was Ryan Villamael's first solo show, at Silverlens Gallery, Manila, in 2011: an exhibition of large-scale paper cutouts with strange but balanced patterns. In 2015, he presented "Behold a City," at Silverlens Gallery in Makati City. This installation was like a "love letter to the city" for him: it is his own map of Manila, made by shaping mirrors and placing them flat on the floor to mimic the city's system of streets, avenues and waterways. Ryan Villamael then erected cut-out photographs of Old Manila's most popular heritage sites to create three-dimensional illusions. For the 2016 Singapore Biennale, the artist created a "Locus Aneomus" installation: filling the Singapore Art Museum's greenhouse with foliage cut from old and contemporary Philippine maps. 
In Vista, a Series he started during lockdown, Ryan Villamael imitates the intimacy of a binocular lens to take himself and the viewer beyond the pandemic moment, and beyond the four walls in which he shelters. The artist painted imaginary and idealized views of landscapes on paper cut from previous exhibitions. The exhibition was presented online at Silverlens Galleries from 14 to 28 January 2021.
Ryan Villamael created a pastoral paradise inside the Esplanade Concourse in Singapore, from 18 January to 7 July 2024.
Ryan Villamael presented his very first exhibition in the United States "ISLES" at the Silverlens New York gallery, from January 16 to March 1, 2025. The exhibition brought together new sculptures made of paper cut-outs, installed in glass bells, this time accompanied by an audio component. "ISLES reflects my deep connection to themes of migration, displacement and the changing idea of home," the artist explained. "My family, like so many others, has experienced the emotional complexities of migration. This personal experience is at the heart of my work."
EXHIBITIONS
Ryan Villamael's latest solo exhibitions include: 2024 "Return, My Gracious Hour" , Silverlens, Manila ;  2021 Home Coming/ Eventually, UP Vargas Museum, Manille, Ryan Villamael and Liv Vinluan in the exhibition "Bukang Liwayway", Silverlens Galleries, "Vista" (online exhibition) Silverlens Galleries
Ryan Villamael had an exhibition at Art Fair Philippines 2024 and S.E.A. Focus
PAST EXHIBITIONS